Seems that horny hillbilly-fillies 'twere all the rage in 1958.
The opening moments of this film are just enthralling -- radiant black & white cinematography, Joe Valino and The Gospelaires blasting the crazy title track, the lurid rep of the story and the film, all that and Tina Louise too ?!? -- Lulu was just giddy. Giddy, ah'tell'ya, giddy. Then. (Sigh) Then, the movie actually got started.
God's Little Acre's sorta a jalopy of a movie. Part cracker comedy of manners, part sprawling tale of domestic discord and misguided dreams -- the dang wreck barely holds together and's got no plot to move it from beginning to end. Luckily there's the considerable talents of Tina Louise.
But as Griselda, Tina Louise offers a consistent, precise and interesting performance. (What's amazing is that Lulu noticed Tina's acting -- or, more precisely, her intense exuding -- independent of her glorious breasts. Tina's bosom is just astonishing. All the more so for the fact that Tina's bosom is ostensibly "all natural" talent, no surgery -- just finely engineered underwiring -- to augment it.) Though she -- along with most of the cast -- opt for the "strike a pose & emote" school of acting, Louise gives a surprisingly fine performance in this strange and tawdry little flick. From this, it seems almost plausible that she could have had a further career as a serious actress had she elected for a different gig during that fateful summer of 1964...
And this from Lulu -- who always loved "the rest" best.
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