And for extra giggles, click check out my Culturalist of my top 10 Supporting Actresses of 1980.
Ponders the myriad pathologies of pop culture.
Obsesses about actressing at the edges.
Loves grilled cheese.
ARCHIVE OF SUPPORTING ACTRESS SUNDAYS & THE SMACKDOWN
9.30.2013
1980's Supporting Actresses
1980's Smackdown is up over at The Film Experience, where late last week I shared my preliminary reflections on Oscar's choices, along with some memories of how pivotal 1980 was for my emerging obsession with actressing at the edges.
And for extra giggles, click check out my Culturalist of my top 10 Supporting Actresses of 1980.
And for extra giggles, click check out my Culturalist of my top 10 Supporting Actresses of 1980.
8.29.2013
StinkyLulu's Preliminary Thoughts on Supporting Actressing in '52
This post was first published at The Film Experience tease this weekend's 1952 Supporting Actress Smackdown. Don't miss Nathaniel's excellent feature on "Introducing" 1952's nominees...
It has been a while since I dropped into a random year’s field of Supporting Actress nominees. Still, as I have re/screened the relevant films in preparation for this weekend’s Supporting Actress Smackdown, it’s startling how familiar 1952 feels. Remember that, in 1952, the category of “Best Supporting Actress” was only in its 15th year or so (having been introduced in 1936, almost ten years after the Oscar game got started) but, already by 1952, the category seemed to have established some of its most enduring quirks.
1952’s nominated roles are definitely cut from Oscar’s favorite cloth: the hooker with a heart; the hale helpmeet; the full force of youth; the (briefly) suffering wife; and the shrewish “ex.” And the 1952 field definitely reminds us that, by the early 1950s, Supporting Actress had emerged as one of Oscar’s favored ways to anoint the newcomer/s with one hand, while taking care to honor the time-tested trouper/s with the other. As example, 1952's nominations honor not only breakout performances by “new stars” Jean Hagen and Terry Moore (not to mention the screen debut of Colette Marchand) but also familiar support work by previously favored nominees Gloria Grahame and Thelma Ritter. And, yes, Oscar’s habit of nodding to certain troupers also stirs the faint whiff that a Supporting Actress nomination might sometimes be an apology bouquet of sorts — Oscar’s way to say “please forgive my neglecting to nominate (or award) that other performance…but do accept this as a token of the Academy’s esteem.” (Might Grace Kelly’s 1953 nomination for Mogambo and Katy Jurado’s 1954 nomination for Broken Lance been made possible, at least in part, by Oscar’s neglect of their High Noon turns in 1952?) And in a field full of what I have called “coasters” (efficient supporting actressness buoyed by being part of a heavily nominated film), Jean Hagen’s nomination looms especially large as that “single nominated performance from an ignored-in-other-major-categories picture” (a particularly burdensome last bit of support not infrequently borne by Supporting Actress nominees).
All told, 1952 stands as nearly exemplary of the idiosyncrasies of the Best Supporting Actress category, and is thus perhaps the ideal one to revive the peculiar pleasures of the Supporting Actress Smackdown. And while I might wonder what this roster might have felt like if, say, High Noon’s Katy Jurado or Member of the Wedding’s Ethel Waters (or even Viva Zapata’s Mildred Dunnock) had “coastered” into the field, the Smackdown challenges us to look closely at the work of the women who were actually nominated in 1952, for it is in such “actressing at the edges” that the category’s true pleasures shine.
It has been a while since I dropped into a random year’s field of Supporting Actress nominees. Still, as I have re/screened the relevant films in preparation for this weekend’s Supporting Actress Smackdown, it’s startling how familiar 1952 feels. Remember that, in 1952, the category of “Best Supporting Actress” was only in its 15th year or so (having been introduced in 1936, almost ten years after the Oscar game got started) but, already by 1952, the category seemed to have established some of its most enduring quirks.
1952’s nominated roles are definitely cut from Oscar’s favorite cloth: the hooker with a heart; the hale helpmeet; the full force of youth; the (briefly) suffering wife; and the shrewish “ex.” And the 1952 field definitely reminds us that, by the early 1950s, Supporting Actress had emerged as one of Oscar’s favored ways to anoint the newcomer/s with one hand, while taking care to honor the time-tested trouper/s with the other. As example, 1952's nominations honor not only breakout performances by “new stars” Jean Hagen and Terry Moore (not to mention the screen debut of Colette Marchand) but also familiar support work by previously favored nominees Gloria Grahame and Thelma Ritter. And, yes, Oscar’s habit of nodding to certain troupers also stirs the faint whiff that a Supporting Actress nomination might sometimes be an apology bouquet of sorts — Oscar’s way to say “please forgive my neglecting to nominate (or award) that other performance…but do accept this as a token of the Academy’s esteem.” (Might Grace Kelly’s 1953 nomination for Mogambo and Katy Jurado’s 1954 nomination for Broken Lance been made possible, at least in part, by Oscar’s neglect of their High Noon turns in 1952?) And in a field full of what I have called “coasters” (efficient supporting actressness buoyed by being part of a heavily nominated film), Jean Hagen’s nomination looms especially large as that “single nominated performance from an ignored-in-other-major-categories picture” (a particularly burdensome last bit of support not infrequently borne by Supporting Actress nominees).
All told, 1952 stands as nearly exemplary of the idiosyncrasies of the Best Supporting Actress category, and is thus perhaps the ideal one to revive the peculiar pleasures of the Supporting Actress Smackdown. And while I might wonder what this roster might have felt like if, say, High Noon’s Katy Jurado or Member of the Wedding’s Ethel Waters (or even Viva Zapata’s Mildred Dunnock) had “coastered” into the field, the Smackdown challenges us to look closely at the work of the women who were actually nominated in 1952, for it is in such “actressing at the edges” that the category’s true pleasures shine.
7.07.2013
StinkyLulu's Supporting Actress Smackdown: THE RETURN
Dear reader,
You may have encountered this rumor on the wild and wondrous interwebs...
...and I am here to confirm that this rumor is TRUE.
TheFilmExperience will be hosting new Supporting Actress Smackdowns in the coming months, with StinkyLulu serving as emcee (and as smackdowner).
About the other whispers, I can't confirm anything right now but I would not be surprised to also see a return of the Supporting Actress Blogathon in January 2014 (platform TBA). And it remains entirely plausible that StinkyLulu's signature performance profiles might their own return (possibly using a different format/platform/routine). We shall see...
Thanks to you all for your generosity in remembering Smackdown so persistently. Such remembrances convinced Nathaniel that there would be an audience for its return and I'm thrilled to be a part of its relaunch and reinvention at TheFilmExperience.
To Actressing at the Edges!
You may have encountered this rumor on the wild and wondrous interwebs...
...and I am here to confirm that this rumor is TRUE.
TheFilmExperience will be hosting new Supporting Actress Smackdowns in the coming months, with StinkyLulu serving as emcee (and as smackdowner).
About the other whispers, I can't confirm anything right now but I would not be surprised to also see a return of the Supporting Actress Blogathon in January 2014 (platform TBA). And it remains entirely plausible that StinkyLulu's signature performance profiles might their own return (possibly using a different format/platform/routine). We shall see...
Thanks to you all for your generosity in remembering Smackdown so persistently. Such remembrances convinced Nathaniel that there would be an audience for its return and I'm thrilled to be a part of its relaunch and reinvention at TheFilmExperience.
To Actressing at the Edges!
Labels:
smackdown,
supporting actressness,
thefilmexperience
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