If you recognize the film, say so in comments. (And, if you are so inclined, share your favorite thing -- moment/memory/response/etcetera -- about the film.)
Despite what some say, I don't think this is very neutered. When I first watched it without knowing the plot, I got the whole post-Brokeback situation just fine.
I think those of us who watch the movie first have a different view of it than those who've seen the play first. Although I much prefer the stage ending rather than the bullshit reconciliation between Newman and Taylor.
Madeleine Sherwood and Jack Carson in one of the late-50s, early-60s washed-out adaptations of William's work (Sweet Bird, Mrs. Stone, Suddenly Last Summer, Summer and Smoke, Streetcar). Something I enjoyed was the opportunity to see brief apppearances by Brian and Hugh Corcoran. I loved those child-star siblings. Especially the sometimes obnoxious Kevin.
Despite what some say, I don't think this is very neutered. When I first watched it without knowing the plot, I got the whole post-Brokeback situation just fine.
ReplyDeleteI think those of us who watch the movie first have a different view of it than those who've seen the play first. Although I much prefer the stage ending rather than the bullshit reconciliation between Newman and Taylor.
ReplyDeleteI sorta love all three versions (the two versions of the stage script and this screenplay), albeit for different reasons...
ReplyDeleteCat on a Hot Tin Roof! Great play, great film, but with a terrible ending!
ReplyDeleteI do love Big Daddy's frankness about his sexuality in the stage version.
ReplyDeleteMadeleine Sherwood and Jack Carson in one of the late-50s, early-60s washed-out adaptations of William's work (Sweet Bird, Mrs. Stone, Suddenly Last Summer, Summer and Smoke, Streetcar). Something I enjoyed was the opportunity to see brief apppearances by Brian and Hugh Corcoran. I loved those child-star siblings. Especially the sometimes obnoxious Kevin.
ReplyDeleteCat on a Hot Tin Roof!
ReplyDelete